1 00:00:00,501 --> 00:00:02,662 I am glad you crave my best conjugations 2 00:00:02,737 --> 00:00:04,398 Previously on Smash... 3 00:00:04,538 --> 00:00:06,369 When you love someone... 4 00:00:06,440 --> 00:00:09,034 The Fringe? In two weeks? That's completely insane. 5 00:00:09,410 --> 00:00:12,038 I usually don't like a lot of people. 6 00:00:12,113 --> 00:00:13,512 Just don't let me down, okay? 7 00:00:13,981 --> 00:00:16,006 Ladies and gentlemen, Terry Falls. 8 00:00:16,083 --> 00:00:18,051 Ah, yes. Young Cecile. 9 00:00:18,119 --> 00:00:19,450 How you have grown. 10 00:00:19,520 --> 00:00:21,215 He's playing the whole thing like it's a comedy. 11 00:00:21,288 --> 00:00:22,755 I've decided to go off my meds. 12 00:00:23,391 --> 00:00:26,588 Thanks for the files. Eileen will never work without me again. 13 00:00:26,660 --> 00:00:28,821 Have you got a brilliant book for the read-through this afternoon? 14 00:00:28,896 --> 00:00:31,421 I'm not going to produce it. I have a version that I love. 15 00:00:31,499 --> 00:00:33,091 How did you get this? He sent it to me. 16 00:00:33,167 --> 00:00:35,192 It was just the draft I liked the most. 17 00:00:35,269 --> 00:00:37,794 We need a tie-breaker. Since it's up to me... 18 00:00:41,976 --> 00:00:45,537 Here she is, Miss Marilyn Monroe 19 00:00:45,946 --> 00:00:49,438 Will she have the answers that our readers want to know? 20 00:00:49,517 --> 00:00:51,417 From India And Paris 21 00:00:51,485 --> 00:00:53,248 And from just across the pond 22 00:00:53,788 --> 00:00:59,886 We have so many questions for America's smart, dumb blonde 23 00:00:59,960 --> 00:01:01,951 Okay, you lot, go up stage left. 24 00:01:02,029 --> 00:01:03,621 You lot, go up stage right. 25 00:01:03,964 --> 00:01:05,556 Because, oh, look out, 26 00:01:05,633 --> 00:01:09,399 here comes the enormous, expensive and totally unnecessary plane 27 00:01:09,470 --> 00:01:11,734 that's about to land on the stage. 28 00:01:11,806 --> 00:01:16,106 And the steps roll in, and Karen walks down... 29 00:01:16,544 --> 00:01:18,034 It's gonna be great. Spectacular. 30 00:01:18,112 --> 00:01:20,103 It's for tourists. It isn't art. 31 00:01:20,681 --> 00:01:22,114 I completely disagree. 32 00:01:22,416 --> 00:01:26,682 It's a dynamic, Technicolor fantasy of the way Marilyn made herself. 33 00:01:27,121 --> 00:01:29,487 And it's going to fit perfectly in our new book. 34 00:01:29,557 --> 00:01:32,355 Your new book. As opposed to mine and Julia's, 35 00:01:32,426 --> 00:01:34,360 which I was really looking forward to directing. 36 00:01:34,428 --> 00:01:35,554 Best thing I've ever written. 37 00:01:35,729 --> 00:01:37,356 We said we'd go with whatever Eileen chose. 38 00:01:37,431 --> 00:01:41,492 Well, clearly I only said that because I thought she would make the right choice. 39 00:01:41,836 --> 00:01:44,236 And I did. And I agree. 40 00:01:44,305 --> 00:01:47,297 Though we might have to cut something to make room for this number. 41 00:01:48,876 --> 00:01:49,934 There's a lot of music. 42 00:01:57,118 --> 00:01:58,881 Is this a theater or a bar? 43 00:01:58,953 --> 00:02:01,012 I knew the last slot meant the crappiest space. 44 00:02:01,088 --> 00:02:03,454 It's the Fringe. You get two days and a shoebox. 45 00:02:03,958 --> 00:02:05,823 Sometimes it's a disaster. 46 00:02:05,893 --> 00:02:07,758 But sometimes you break out. 47 00:02:08,295 --> 00:02:09,762 I like it. 48 00:02:10,097 --> 00:02:13,157 It's not too fancy, which is good for us. 49 00:02:13,501 --> 00:02:17,562 It's got good acoustics, 'cause it's small. And who cares anyway. 50 00:02:17,638 --> 00:02:19,071 The show's good. 51 00:02:19,306 --> 00:02:22,104 It better be. We're on in 10 hours. 52 00:02:34,788 --> 00:02:39,725 The warmth of your love's like the warmth from the sun 53 00:02:39,827 --> 00:02:44,924 And this will be our year Took a long time to come 54 00:02:45,666 --> 00:02:50,160 Don't let go of my hand Now the darkness has gone 55 00:02:50,271 --> 00:02:55,072 And this will be our year Took a long time to come 56 00:02:55,142 --> 00:02:59,772 And I won't forget the way you held me up when I was down 57 00:03:00,147 --> 00:03:03,116 And I won't forget the way you said 58 00:03:03,184 --> 00:03:06,620 "Darling, I love you You give me faith to go on" 59 00:03:06,687 --> 00:03:10,555 Now we're there Now we've only just begun 60 00:03:10,791 --> 00:03:12,986 And this will be our year 61 00:03:13,127 --> 00:03:17,791 Took a long time to 62 00:03:19,066 --> 00:03:21,591 Come 63 00:03:24,972 --> 00:03:25,996 Hey! 64 00:03:26,574 --> 00:03:29,065 Um, there's a performance going on upstairs. 65 00:03:29,143 --> 00:03:31,008 So could you guys, like, shut up? 66 00:03:31,078 --> 00:03:32,136 Sorry. 67 00:03:32,213 --> 00:03:33,237 Oops. 68 00:03:34,081 --> 00:03:35,070 My bad. 69 00:03:35,149 --> 00:03:38,550 Hey, does anybody know what time it is? Oh. 70 00:03:38,619 --> 00:03:40,610 Ugh, damn. I gotta go to rehearsal. 71 00:03:40,688 --> 00:03:42,918 Now? We haven't run your numbers yet. 72 00:03:42,990 --> 00:03:44,184 We've been running them all week. 73 00:03:44,258 --> 00:03:45,247 What about the new ones? 74 00:03:45,326 --> 00:03:48,193 Kyle, chill. It's gonna be fine. 75 00:03:48,729 --> 00:03:50,697 Thank you. Any time. 76 00:03:55,536 --> 00:03:57,401 I can't believe she couldn't get out for one night. 77 00:03:57,471 --> 00:03:59,439 Dude, it's Broadway. It doesn't work like that. 78 00:03:59,506 --> 00:04:01,098 There's millions of dollars at stake. 79 00:04:01,175 --> 00:04:03,075 You're not just like, "Hmm, I feel like taking 80 00:04:03,143 --> 00:04:05,236 "the night off to do a show in a basement." 81 00:04:05,713 --> 00:04:08,477 It is not just a show in a basement. 82 00:04:08,549 --> 00:04:10,710 Real people are coming. I just want it to be great. 83 00:04:10,784 --> 00:04:12,342 It will be. Look, Karen's a pro. 84 00:04:12,419 --> 00:04:14,512 She knows her stuff. She'll be ready. 85 00:04:17,758 --> 00:04:18,747 Oh, hold the door. 86 00:04:20,928 --> 00:04:21,917 Oh. 87 00:04:21,996 --> 00:04:23,964 Thanks. No problem. 88 00:04:29,770 --> 00:04:31,101 So, how's Bombshell? 89 00:04:31,171 --> 00:04:32,365 It's great. 90 00:04:32,439 --> 00:04:33,770 Yeah. How's yours? 91 00:04:34,041 --> 00:04:35,406 So good. 92 00:04:35,576 --> 00:04:37,339 Terry Falls is fantastic. 93 00:04:37,911 --> 00:04:41,938 Down-to-earth, smart, real. The show is a dream. 94 00:04:42,049 --> 00:04:43,880 Cool. See ya. 95 00:04:45,452 --> 00:04:49,479 Ivy, thank God you're here. You won't believe what he's done now. 96 00:04:50,424 --> 00:04:52,415 Have a good rehearsal. 97 00:04:54,161 --> 00:04:58,598 Ah, my darling Cecile! Isn't it glorious? 98 00:04:58,899 --> 00:05:00,423 More of your vision? 99 00:05:00,501 --> 00:05:02,731 Ever since I went off my meds, I feel amazing! 100 00:05:03,070 --> 00:05:06,369 I haven't slept in four days. I've been accomplishing so many things! 101 00:05:06,440 --> 00:05:10,399 I got certified in archery, I've learned French, I got arrested! 102 00:05:10,477 --> 00:05:12,843 Ugh, these aren't going to be real sheep, are they? 103 00:05:12,913 --> 00:05:15,882 Ha! Of course they are. Stuffed sheep can't act. 104 00:05:16,450 --> 00:05:18,680 I am worried about the peacocks, though. 105 00:05:18,786 --> 00:05:20,777 They're notoriously difficult to work with. 106 00:05:20,854 --> 00:05:24,290 That's much better. Where is Bessie? 107 00:05:25,359 --> 00:05:27,725 It's not too late. Tech doesn't start till the day after tomorrow. 108 00:05:27,795 --> 00:05:28,784 Oh, there she is. 109 00:05:28,862 --> 00:05:30,329 Terry's the only reason this revival is happening. 110 00:05:30,397 --> 00:05:32,194 We have to make it work. 111 00:05:32,266 --> 00:05:33,995 You can't have mirrors onstage like that! 112 00:05:34,068 --> 00:05:35,467 They're gonna reflect light into the audience. 113 00:05:35,536 --> 00:05:37,299 Oh, no. Those aren't mirrors. They're metaphors 114 00:05:37,371 --> 00:05:39,236 for vanity and self-absorption. 115 00:05:39,707 --> 00:05:41,732 Oh, look. There I am again! 116 00:05:42,509 --> 00:05:45,478 Who knows? Maybe it'll be the comedy surprise hit of the season. 117 00:05:45,546 --> 00:05:46,604 A satire? 118 00:05:46,680 --> 00:05:49,274 Satires are supposed to be smart and sophisticated. 119 00:05:49,383 --> 00:05:52,784 Ivy! I'm going to make love to you in these! 120 00:05:52,853 --> 00:05:55,185 In the show! In the show. 121 00:06:00,160 --> 00:06:05,097 When he warned of the cost and the heart that he lost 122 00:06:05,165 --> 00:06:09,431 Mr. Yeats really paved the way 123 00:06:09,503 --> 00:06:14,964 For the men that I've known who have clearly shown 124 00:06:15,542 --> 00:06:20,070 They've been reading him from the start 125 00:06:20,180 --> 00:06:23,013 'Cause when it comes to me 126 00:06:23,083 --> 00:06:24,380 You still love this song, right? 127 00:06:24,485 --> 00:06:26,146 Well, their kisses come free 128 00:06:26,253 --> 00:06:27,550 Your lyrics are brilliant. 129 00:06:27,788 --> 00:06:29,983 But they never give all the heart Using that Yeats poem was... 130 00:06:30,057 --> 00:06:31,149 You're overdoing it. Right. 131 00:06:35,662 --> 00:06:38,688 Very nice, Karen. Okay, let's move on to Mambo. 132 00:06:38,766 --> 00:06:39,926 I'd like a word. 133 00:06:40,634 --> 00:06:42,067 Or we could take a 10. 134 00:06:42,469 --> 00:06:44,494 That's the song. The song? 135 00:06:45,038 --> 00:06:46,096 To cut. 136 00:06:46,573 --> 00:06:47,631 For Public Relations. 137 00:06:47,708 --> 00:06:50,700 You're kidding. He's kidding, right? 138 00:06:50,778 --> 00:06:53,975 That song is one of the most beautiful ballads in the show. 139 00:06:54,047 --> 00:06:58,347 One of. There's too many. It's unnecessary. 140 00:06:59,052 --> 00:07:03,819 Some girl on an empty stage telling me a sad story? Enough already. 141 00:07:03,891 --> 00:07:05,825 She's not just some girl. 142 00:07:05,893 --> 00:07:08,555 It's Marilyn, looking back and realizing 143 00:07:08,629 --> 00:07:11,257 that she loved more than she was loved! 144 00:07:11,765 --> 00:07:12,891 He means Karen. 145 00:07:13,434 --> 00:07:14,458 Our star? 146 00:07:15,269 --> 00:07:16,600 Not yet. 147 00:07:17,638 --> 00:07:20,004 And if we're not going to have a star, then we need... 148 00:07:20,073 --> 00:07:22,007 What, an airplane on the bloody stage? Yes. 149 00:07:22,075 --> 00:07:25,511 And with all that going on around her, we're golden. But this... 150 00:07:25,579 --> 00:07:27,706 Is the first song we wrote. 151 00:07:27,781 --> 00:07:30,511 It's what got us excited about the project in the first place. 152 00:07:30,584 --> 00:07:32,711 It's what got you excited, Eileen. 153 00:07:32,853 --> 00:07:36,084 It's a lovely song, Julia. No one's disputing that. 154 00:07:36,156 --> 00:07:38,056 But Jerry's right, it stops the show. 155 00:07:38,125 --> 00:07:41,458 You just said "Jerry's right" for the third time in the last week. 156 00:07:41,528 --> 00:07:43,587 Has everyone lost their mind? 157 00:07:44,465 --> 00:07:46,092 He's destroying the show! 158 00:07:46,533 --> 00:07:48,467 By the time he's finished, it's going to be 159 00:07:48,535 --> 00:07:51,629 Marilyn, The Radio City Christmas Spectacular! 160 00:07:51,939 --> 00:07:55,534 Can I just remind you that what we're listening to in there is a book you wrote? 161 00:07:55,609 --> 00:07:57,975 One you were proud of once. I'm not anymore. 162 00:07:58,045 --> 00:07:59,637 I know it's not exactly what you wanted. 163 00:07:59,713 --> 00:08:01,078 Or Derek. Or Derek. 164 00:08:01,148 --> 00:08:03,639 But that doesn't mean it won't be great. 165 00:08:03,717 --> 00:08:07,050 Let me talk to Eileen, figure out a way to keep Heart in. 166 00:08:07,120 --> 00:08:09,884 I'll beg. Grovel. Blackmail if I have to... 167 00:08:09,957 --> 00:08:15,020 If I succeed, will you please try to get more on board? I miss you. 168 00:08:19,166 --> 00:08:23,000 Get me my song, and then we'll talk. 169 00:08:27,207 --> 00:08:29,437 I know Broadway doesn't pay its actors very well, 170 00:08:29,510 --> 00:08:33,276 but did you really have to moonlight as a house painter? 171 00:08:33,947 --> 00:08:38,179 Oh. I was painting pieces for our Fringe set. 172 00:08:39,152 --> 00:08:41,416 It's Hit List's first performance tonight. 173 00:08:41,722 --> 00:08:43,690 You're still doing the Fringe? Who's your director? 174 00:08:43,757 --> 00:08:47,693 No one. We're just throwing the first act up, like you said. 175 00:08:47,928 --> 00:08:49,293 What? 176 00:08:49,363 --> 00:08:51,729 I didn't think you'd do it without me. 177 00:08:51,798 --> 00:08:54,289 You were never really going to do it anyway. I knew that. 178 00:08:54,368 --> 00:08:57,269 You just got us started. You're a big Broadway director. 179 00:08:57,337 --> 00:08:59,635 You can't go back to Fringe. 180 00:09:00,774 --> 00:09:02,036 Can I take a quick call? 181 00:09:02,109 --> 00:09:03,599 Sure. Okay. 182 00:09:04,044 --> 00:09:06,638 We're in Time Out. There's a blurb and everything! 183 00:09:07,347 --> 00:09:09,941 And a picture of you. It's not that great, but... 184 00:09:10,017 --> 00:09:11,985 Hey! Don't listen to him, it's hot! 185 00:09:12,052 --> 00:09:15,146 Apparently a bunch of theater people RSVP'd. We sold out tonight. 186 00:09:15,222 --> 00:09:17,315 Karen... I have to call you back. 187 00:09:17,391 --> 00:09:18,415 What is this? 188 00:09:19,626 --> 00:09:21,355 My assistant just showed me this. 189 00:09:23,897 --> 00:09:24,921 Is there a problem? 190 00:09:24,998 --> 00:09:28,559 Bombshell's entire marketing campaign 191 00:09:28,635 --> 00:09:32,435 is centered around introducing Karen Cartwright. 192 00:09:32,506 --> 00:09:37,944 It only works if we're actually introducing Karen Cartwright. 193 00:09:38,011 --> 00:09:39,774 But it isn't interfering with rehearsals. 194 00:09:39,846 --> 00:09:42,644 And it's not going to either. You can't do it. 195 00:09:42,716 --> 00:09:44,411 It's two days. 196 00:09:44,651 --> 00:09:46,346 I'm your producer. 197 00:09:46,520 --> 00:09:51,082 I have the right to approve any other project you do while you're in my show. 198 00:09:51,158 --> 00:09:53,217 That's in your contract. 199 00:09:54,962 --> 00:09:57,897 Look, if you want to go, go. 200 00:09:59,232 --> 00:10:00,460 But don't bother coming back here. 201 00:10:00,801 --> 00:10:03,235 Derek, you know I can't not go. 202 00:10:03,303 --> 00:10:07,205 You're opening on Broadway. What's more important? 203 00:10:12,512 --> 00:10:15,481 Sorry, love. I guess we're both stuck here. 204 00:10:16,116 --> 00:10:18,175 Whether we like it or not. 205 00:10:23,116 --> 00:10:28,175 206 00:10:47,211 --> 00:10:49,611 But the show is in six hours. And you're the lead! 207 00:10:49,680 --> 00:10:52,911 I had no idea this would happen. I feel terrible. 208 00:10:52,983 --> 00:10:54,382 Tell them "no." You have to be here. 209 00:10:54,451 --> 00:10:57,818 I tried. Jerry Rand is not the most understanding person. And Derek... 210 00:10:57,888 --> 00:10:59,378 Ah, there's the real reason. 211 00:10:59,790 --> 00:11:02,520 It's my career, Jimmy. I want to be there for you guys so badly... 212 00:11:02,593 --> 00:11:05,061 But your career's more important than your friends, got it. 213 00:11:05,129 --> 00:11:07,757 I'm still a part of the show. I just can't be in it right now. 214 00:11:07,831 --> 00:11:09,059 Yeah, we need to find a replacement. 215 00:11:09,133 --> 00:11:10,395 There's no time for someone to learn the songs... 216 00:11:10,467 --> 00:11:12,332 Whoever we get can hold the music. It's Fringe. 217 00:11:12,770 --> 00:11:14,397 I can help call some people. 218 00:11:14,471 --> 00:11:15,870 Don't bother. You've done enough. 219 00:11:15,939 --> 00:11:17,497 Jimmy... Thank you, though, 220 00:11:17,574 --> 00:11:19,940 for waiting till six hours before to bail. 221 00:11:20,010 --> 00:11:22,137 It's really classy. Oh, and thank your boyfriend, too. 222 00:11:22,212 --> 00:11:23,679 Boyfriend? I'm sure he had nothing to do with this. 223 00:11:23,747 --> 00:11:25,715 Don't we have enough to deal with? Just go. 224 00:11:36,026 --> 00:11:37,618 You look like you've just come from a funeral. 225 00:11:37,695 --> 00:11:40,562 We have. For the death of our careers. 226 00:11:40,631 --> 00:11:42,189 It can't be that bad. 227 00:11:42,299 --> 00:11:43,994 Tomorrow's press day, and we're considering 228 00:11:44,068 --> 00:11:46,559 going to that really bad sushi place on 50th 229 00:11:46,637 --> 00:11:48,628 and praying for food poisoning. 230 00:11:49,039 --> 00:11:50,836 Do you wanna talk? 231 00:11:51,241 --> 00:11:52,265 Come on. 232 00:11:53,811 --> 00:11:55,836 You're in prime position. 233 00:11:56,046 --> 00:11:57,877 Everyone expects you to be good in a good show. 234 00:11:57,948 --> 00:12:00,348 But if you're good in a bad show, you stand out. 235 00:12:00,451 --> 00:12:02,043 That is a time-honored tradition. 236 00:12:03,020 --> 00:12:05,545 But how am I supposed to be good opposite a lunatic? 237 00:12:06,223 --> 00:12:07,554 You got a big number, right? 238 00:12:07,624 --> 00:12:08,852 Yeah, but I've been underplaying it. 239 00:12:08,926 --> 00:12:11,087 We're all underplaying since Terry's so big. 240 00:12:11,161 --> 00:12:13,061 Forget about Terry. 241 00:12:13,664 --> 00:12:17,191 Just block out the white noise and do it the way you know it should be done. 242 00:12:18,669 --> 00:12:20,899 Like I'm not doing on Bombshell. 243 00:12:21,905 --> 00:12:23,065 It's isn't going very well? 244 00:12:23,140 --> 00:12:25,631 Yeah, Jerry's cutting everything, Julia's sulking, 245 00:12:25,709 --> 00:12:27,040 Eileen's policing us. 246 00:12:27,111 --> 00:12:28,544 And I'm just sitting in the middle wondering 247 00:12:28,612 --> 00:12:30,477 what I loved about it in the first place. 248 00:12:30,948 --> 00:12:34,577 You loved Karen. You "saw" her, remember? 249 00:12:34,651 --> 00:12:36,881 I saw her as Marilyn. 250 00:12:37,488 --> 00:12:40,924 You'll see her again. 251 00:12:44,194 --> 00:12:45,183 I got to go. 252 00:12:46,830 --> 00:12:48,764 Thanks for the advice. 253 00:12:48,832 --> 00:12:50,459 Only thank me if it works. 254 00:12:53,103 --> 00:12:55,901 Wow. That sounds like an amazing day. 255 00:12:56,340 --> 00:12:58,706 I'm sorry to vent. I just had to talk to someone. 256 00:12:59,343 --> 00:13:00,367 I'm glad that you trust me. 257 00:13:00,978 --> 00:13:02,639 I wouldn't go that far. 258 00:13:05,949 --> 00:13:07,473 Maybe you should leave Bombshell. 259 00:13:08,485 --> 00:13:10,749 What? You're sitting around torturing yourself 260 00:13:10,821 --> 00:13:12,015 when they don't need you anymore. 261 00:13:12,089 --> 00:13:13,852 They made that very clear after the read-through. 262 00:13:13,924 --> 00:13:15,357 Come on, that's not true. 263 00:13:15,425 --> 00:13:18,485 You should see Tom going out of his way to make me feel better. 264 00:13:18,562 --> 00:13:22,089 Yeah. I like Tom, but partners, they talk. 265 00:13:22,166 --> 00:13:23,997 They consider, compromise. 266 00:13:24,334 --> 00:13:26,734 They don't just make choices unilaterally. 267 00:13:27,204 --> 00:13:29,035 Eileen made the choice. 268 00:13:33,177 --> 00:13:37,273 I've been hired to help out on a new play at the Royal Court. 269 00:13:37,347 --> 00:13:38,371 I fly out Friday. 270 00:13:38,882 --> 00:13:41,476 You're leaving? Yeah. You should come. 271 00:13:43,120 --> 00:13:45,452 Collaborate. I loved working with you, Julia. 272 00:13:45,522 --> 00:13:48,855 I hadn't been this excited about a project in forever. Neither had you. 273 00:13:48,926 --> 00:13:50,291 I'm in the middle of rehearsal. 274 00:13:50,360 --> 00:13:51,827 Yeah, of a sinking ship. 275 00:13:52,162 --> 00:13:54,494 I mean, you said it yourself. It's making you miserable. 276 00:13:54,565 --> 00:13:56,226 I can't leave. 277 00:13:56,500 --> 00:13:58,798 I haven't gotten to spend enough time with Leo as it is. 278 00:13:58,869 --> 00:14:00,632 Bring him. He'd love London. 279 00:14:02,706 --> 00:14:05,106 He does have winter break coming up. 280 00:14:07,978 --> 00:14:09,946 I don't know. It just doesn't feel right to leave Tom. 281 00:14:10,414 --> 00:14:13,008 Why not? Seems to me like he's already left you. 282 00:14:20,190 --> 00:14:21,487 Hmm. 283 00:14:22,359 --> 00:14:24,850 I forgot you did the She Loves Me revival. 284 00:14:25,829 --> 00:14:27,262 Nine Tony nominations. 285 00:14:27,331 --> 00:14:29,231 What can we do for you, Tom? 286 00:14:29,299 --> 00:14:32,598 I wanted to talk to you about cutting Never Give All the Heart from the show. 287 00:14:33,737 --> 00:14:36,331 I know producers have a great deal of say, but... 288 00:14:36,406 --> 00:14:38,067 Legally, Eileen isn't a producer. 289 00:14:38,141 --> 00:14:39,574 I'm a "friend of the production." 290 00:14:39,643 --> 00:14:41,474 Whose opinion I value highly. 291 00:14:41,979 --> 00:14:43,469 Understood. 292 00:14:43,814 --> 00:14:46,408 Anyway. The song is really important to Julia. 293 00:14:46,483 --> 00:14:49,008 So important you came instead of her? 294 00:14:49,253 --> 00:14:51,915 She kind of hates Jerry with a burning passion. 295 00:14:51,989 --> 00:14:54,116 Like you used to. Oh, I still do. 296 00:14:54,992 --> 00:14:57,324 I don't need people to like me. 297 00:14:57,427 --> 00:14:59,987 I need them to deliver a good show. 298 00:15:01,498 --> 00:15:04,934 And that song, it's too intellectual. 299 00:15:06,236 --> 00:15:10,366 I like songs that make me feel something. And so do you. 300 00:15:11,441 --> 00:15:14,035 Ah. Don't the best do both? 301 00:15:15,646 --> 00:15:17,273 This song is the emotional core of the show. 302 00:15:17,347 --> 00:15:19,872 It's a downer. It doesn't have to be. 303 00:15:22,185 --> 00:15:24,050 What if we were to make you a deal? 304 00:15:24,121 --> 00:15:27,613 Say you change the song into something that wows us. 305 00:15:27,691 --> 00:15:30,091 Something that makes us feel good. You could keep it. 306 00:15:30,160 --> 00:15:31,286 How long do I have? 307 00:15:31,361 --> 00:15:32,623 Twenty-four hours. 308 00:15:33,664 --> 00:15:36,758 After that, I don't want to ever hear about it again. 309 00:15:40,537 --> 00:15:43,301 So who'd you get to replace me? Is she able to sing the role? 310 00:15:43,373 --> 00:15:47,366 Audrey, from my last show, and optimistically? No. 311 00:15:47,444 --> 00:15:49,036 But at least we didn't have to cancel. 312 00:15:49,179 --> 00:15:50,874 Maybe I should go in, give her a few pointers? 313 00:15:50,948 --> 00:15:52,973 No. That is not a good idea. 314 00:15:53,350 --> 00:15:55,341 What? Jimmy? You know how he gets. 315 00:15:55,419 --> 00:15:58,445 He's like the Incredible Hulk. One little thing, and he's ripping through his shirt. 316 00:15:58,522 --> 00:16:00,490 Come on. You're about to open on Broadway. 317 00:16:00,557 --> 00:16:02,422 This should be your last concern. 318 00:16:02,859 --> 00:16:04,850 Five minutes. Thanks. 319 00:16:05,128 --> 00:16:06,686 I got to go. 320 00:16:07,264 --> 00:16:08,731 Break a leg, okay? 321 00:16:08,799 --> 00:16:10,767 Don't wake the Hulk. 322 00:16:18,141 --> 00:16:20,075 Karen? 323 00:16:20,944 --> 00:16:23,606 Do I know you? Cynthia Moran. We met in Boston. 324 00:16:24,381 --> 00:16:26,611 Ellis Boyd's girlfriend? Ex, actually. 325 00:16:26,683 --> 00:16:28,412 You two aren't on good terms? 326 00:16:28,485 --> 00:16:33,923 No. Turns out he was kind of a psychopath. Also gay. Did you know that? 327 00:16:33,991 --> 00:16:37,392 I had an inkling about both. 328 00:16:38,128 --> 00:16:39,117 So what's he up to now? 329 00:16:39,196 --> 00:16:42,893 I have no idea. After he got that job with Jerry, he took off. 330 00:16:43,667 --> 00:16:44,895 Wait, job with Jerry? 331 00:16:45,002 --> 00:16:48,460 Yeah, Jerry Rand. Isn't he producing Bombshell? 332 00:16:49,539 --> 00:16:53,066 He and Ellis made some deal or something, and that's when he left me. 333 00:16:53,710 --> 00:16:56,304 Good riddance, right? Coming up? 334 00:16:56,880 --> 00:16:58,347 No, no. Go ahead. 335 00:17:09,658 --> 00:17:11,489 Oh, Hey, somebody tweeted about us! 336 00:17:11,927 --> 00:17:13,758 Oh. No. Never mind. 337 00:17:14,096 --> 00:17:15,461 What'd they say? 338 00:17:16,832 --> 00:17:19,892 "Hit List at the Fringe. WTF, what a mess. 339 00:17:19,969 --> 00:17:22,802 "Hashtag 60minutesclosertodeath." 340 00:17:24,240 --> 00:17:25,901 Ana's gonna work with Audrey all day. 341 00:17:25,975 --> 00:17:28,375 It won't matter, 'cause there's not gonna be a show tonight. 342 00:17:28,444 --> 00:17:29,604 What are you talking about? 343 00:17:29,678 --> 00:17:33,011 We have no director, there's no star, 344 00:17:33,082 --> 00:17:35,448 we have no second act, there's no heat in the theater. 345 00:17:35,518 --> 00:17:37,543 People bought tickets. We have a responsibility. 346 00:17:37,620 --> 00:17:39,588 To not look like asses? Yes, I agree. 347 00:17:39,655 --> 00:17:42,852 Canceling is not an option. I get that you're upset that Karen bailed... 348 00:17:42,925 --> 00:17:44,722 This is so not about Karen. 349 00:17:44,794 --> 00:17:47,354 But this is the last chance for our work to be seen. 350 00:17:47,563 --> 00:17:49,497 I'm not giving up because of one setback. 351 00:17:49,565 --> 00:17:51,931 I'm not, either. I'm just saving us the embarrassment. 352 00:17:52,001 --> 00:17:52,990 We'll do it without you, then. 353 00:17:53,069 --> 00:17:54,058 You know? Good! 354 00:17:55,171 --> 00:17:56,763 I didn't want to act in this thing in the first place. 355 00:17:56,839 --> 00:17:59,831 It was you and Karen that convinced me to, and it was a stupid idea. 356 00:18:00,943 --> 00:18:04,538 Now if you'll excuse me, I'm going to go get high and then go to work, 357 00:18:04,613 --> 00:18:08,447 since we spent everything we had on last night's disaster. 358 00:18:10,519 --> 00:18:16,424 So Sunday we'll sit down with Derek, talk about the projections. 359 00:18:16,625 --> 00:18:18,718 I'm still not sold on them yet. 360 00:18:18,828 --> 00:18:23,060 After that, I asked Drew from SpotCo to sit with us to talk radio ads. 361 00:18:26,535 --> 00:18:27,797 Where are you right now? 362 00:18:28,671 --> 00:18:29,695 I'm here. 363 00:18:30,406 --> 00:18:32,670 No, you're not. I know you. 364 00:18:36,145 --> 00:18:39,114 Peter asked me to go to London with him. And I'm thinking about it. 365 00:18:40,416 --> 00:18:42,816 Before you say anything, it's not like that. 366 00:18:44,186 --> 00:18:45,210 It's to work. 367 00:18:46,188 --> 00:18:48,247 So you're going to leave because you didn't get what you want? 368 00:18:48,657 --> 00:18:50,386 I only said I was thinking about it. 369 00:18:53,996 --> 00:18:57,329 I get you're upset. But this is how collaboration works. 370 00:18:57,399 --> 00:18:58,525 You make compromises. 371 00:18:58,601 --> 00:19:00,933 It's not just that. It's the whole thing. 372 00:19:01,570 --> 00:19:03,731 Bombshell is troubled, sure. 373 00:19:04,140 --> 00:19:07,109 But it's not like we've got the problems Wicked had. 374 00:19:07,176 --> 00:19:08,643 And look what happened. Nine years later, 375 00:19:08,711 --> 00:19:10,838 it's still one of the highest-grossing shows on Broadway. 376 00:19:10,913 --> 00:19:12,642 Yeah, but will ours be, 377 00:19:12,715 --> 00:19:16,481 after Eileen and Jerry cut everything I love out of it? 378 00:19:17,086 --> 00:19:19,884 I told you I'm going to get the song back. 379 00:19:19,989 --> 00:19:21,479 I'm going to. 380 00:19:23,225 --> 00:19:24,988 Give me a chance. 381 00:19:28,664 --> 00:19:34,227 Welcome members of the press. What you're about to see is the almost-finished product. 382 00:19:34,303 --> 00:19:39,366 We've been doing some experimenting with the tone of the piece. 383 00:19:39,508 --> 00:19:40,497 Uh... 384 00:19:40,843 --> 00:19:43,107 We're just gonna show you a couple of scenes and songs. 385 00:19:43,179 --> 00:19:44,976 Just keep in mind that this... 386 00:19:45,047 --> 00:19:49,143 Feel free to laugh! Or cry. Whatever you're feeling, all right? 387 00:19:49,218 --> 00:19:51,550 This is live theater, all right! Don't hold back! 388 00:19:55,824 --> 00:20:00,557 I cannot comprehend another cruel day on this earth without you. 389 00:20:01,630 --> 00:20:04,793 I would rather die a thousand deaths 390 00:20:05,434 --> 00:20:09,268 than not feel the warmth of your embrace. 391 00:20:15,411 --> 00:20:18,039 Thanks, Ivy, I really felt that. 392 00:20:28,691 --> 00:20:32,092 Eileen, I was wondering if I could talk to you. 393 00:20:32,161 --> 00:20:33,355 Sure. 394 00:20:33,429 --> 00:20:35,693 Karen? You ready for Tom's experiment? 395 00:20:35,764 --> 00:20:37,493 After the number. Okay. 396 00:20:41,036 --> 00:20:42,264 We've been waiting for you. 397 00:20:42,338 --> 00:20:44,169 I stopped to buy you some tea. 398 00:20:44,406 --> 00:20:46,431 Usually when you bring me presents, 399 00:20:46,508 --> 00:20:48,601 it's because you have something to hide. 400 00:20:48,777 --> 00:20:52,076 Not anymore. I've changed. 401 00:20:52,448 --> 00:20:55,884 Originally we thought about this as Marilyn looking back at all the mistakes 402 00:20:55,951 --> 00:20:58,920 she made with men, falling too hard too often. 403 00:20:58,988 --> 00:21:02,617 Here's a new idea. Guys, will you hit the spots we talked about? 404 00:21:02,691 --> 00:21:04,591 I want you to think about this as a cautionary tale. 405 00:21:04,660 --> 00:21:07,288 Be empowered, not wistful. 406 00:21:07,663 --> 00:21:10,461 You've learned your lesson, now show them. 407 00:21:10,532 --> 00:21:14,628 So what if you moved between the men? 408 00:21:14,703 --> 00:21:20,039 Joe, Arthur, JFK, break their hearts. 409 00:21:20,109 --> 00:21:25,274 Show them and us how not to give all the heart. 410 00:21:25,347 --> 00:21:26,780 Want to give it a try? Yeah. 411 00:21:27,583 --> 00:21:31,075 Fascinating. You're not re-envisioning the song, 412 00:21:31,153 --> 00:21:33,144 you're actually just directing it differently. 413 00:21:33,222 --> 00:21:35,486 And, oh, guess what, that's my job. 414 00:21:35,557 --> 00:21:38,390 I'm just trying to save the song. You can do it if you want. 415 00:21:38,460 --> 00:21:42,191 I would if I agreed with anything that you're doing. 416 00:21:43,432 --> 00:21:47,459 Oh, go on, then. Try it. No one cares what I think, clearly. 417 00:21:48,270 --> 00:21:53,469 Let's start center. And start the movement around "Irishmen." 418 00:21:53,976 --> 00:21:55,273 Just play with it. Okay. 419 00:22:05,321 --> 00:22:07,516 As the wise man once wrote 420 00:22:07,656 --> 00:22:10,557 Never give all the heart 421 00:22:12,561 --> 00:22:14,495 Well, it's easy to see 422 00:22:14,563 --> 00:22:16,394 He was writing for me 423 00:22:16,465 --> 00:22:20,799 I just wish I could play that part 424 00:22:21,337 --> 00:22:25,330 As he scribbled that love isn't worth thinking of 425 00:22:25,407 --> 00:22:28,774 That it fades out from kiss to kiss 426 00:22:28,877 --> 00:22:32,108 If I just learned those lines 427 00:22:32,181 --> 00:22:38,814 Well, just think of the misery I'd miss 428 00:22:41,090 --> 00:22:46,187 I got the idea from your version of the book. Look, Marilyn and her men. 429 00:22:46,261 --> 00:22:49,890 As the Irishman said "Don't put your heart up to play" 430 00:22:50,899 --> 00:22:54,767 When he warned of the cost and the heart that he lost 431 00:22:54,837 --> 00:22:59,797 Mr. Yeats really paved the way 432 00:22:59,875 --> 00:23:02,537 For the men that I've known, well, they've clearly shown 433 00:23:02,611 --> 00:23:03,771 What you do think? 434 00:23:03,846 --> 00:23:08,943 They've been reading him from the start 435 00:23:09,017 --> 00:23:10,644 'Cause when it comes to me 436 00:23:10,719 --> 00:23:12,516 Well, their kisses come free 437 00:23:12,588 --> 00:23:14,522 This is the complete opposite of what it's supposed to be. 438 00:23:14,590 --> 00:23:17,150 Julia, you can't be happy with this, either. 439 00:23:17,559 --> 00:23:19,652 I love it. So do I. 440 00:23:20,229 --> 00:23:22,561 Good work, Tom. It's in. 441 00:23:22,765 --> 00:23:27,099 I never give all the heart 442 00:23:30,072 --> 00:23:33,803 Never give all the heart 443 00:23:36,278 --> 00:23:37,370 Well, wasn't that lovely. 444 00:23:37,446 --> 00:23:41,883 Okay. Can someone tell me what I'm doing here if my opinion no longer matters? 445 00:23:41,950 --> 00:23:43,850 I just asked what you thought. 446 00:23:43,952 --> 00:23:46,011 What? Sorry? Of you commandeering my show? 447 00:23:46,422 --> 00:23:48,583 It's my show, too. I wrote half of it. 448 00:23:48,657 --> 00:23:51,319 Did it not occur to you that I might have my own idea about how it should go? 449 00:23:51,393 --> 00:23:53,554 Okay, just checking. 450 00:23:53,629 --> 00:23:56,393 How many Best Director Tonys have you got, then? 451 00:23:56,832 --> 00:23:59,027 Derek, why don't you take a break? 452 00:23:59,101 --> 00:24:01,763 Tom, you can go on working with Karen on that song. 453 00:24:01,837 --> 00:24:03,805 What? Are you kidding me? 454 00:24:03,872 --> 00:24:05,965 Are we taking turns directing now? 455 00:24:06,041 --> 00:24:08,532 I'll tell you what, I'll pop off. I'll go catch a movie. 456 00:24:08,610 --> 00:24:12,171 You give me a call and you let me know when I'm next up at bat. How about that? 457 00:24:12,247 --> 00:24:14,613 Maybe if you got on board with the creative vision of the show... 458 00:24:14,683 --> 00:24:18,813 No. The creative vision of the show, Tom, is my vision! 459 00:24:18,921 --> 00:24:20,582 I am the director! This is how it works! 460 00:24:21,356 --> 00:24:24,519 Not when it's the money I raised at stake. 461 00:24:28,764 --> 00:24:29,753 Thank you, Derek. 462 00:24:32,768 --> 00:24:34,998 Yeah, okay, um... 463 00:24:36,371 --> 00:24:37,998 I'd like to make a little announcement, everyone. 464 00:24:38,073 --> 00:24:41,565 If you could just give me one little minute of your time, um... 465 00:24:42,644 --> 00:24:47,172 Julia. I'm sorry. I tried to make the show we wanted. 466 00:24:47,616 --> 00:24:48,605 Tried? 467 00:24:48,684 --> 00:24:52,051 Oh, and, Jerry, you truly are what is wrong with American theater! 468 00:24:52,120 --> 00:24:55,578 And Eileen, you're smarter, classier and better than your producing partner, 469 00:24:55,657 --> 00:24:59,252 and if I were you, I wouldn't agree with a single decision he makes from here on. 470 00:24:59,361 --> 00:25:01,886 Tom. Oh, Tom. 471 00:25:03,365 --> 00:25:04,627 We've got a long history, haven't we? 472 00:25:04,700 --> 00:25:08,261 Mmm. And I'm not sorry to say that it ends today. 473 00:25:09,271 --> 00:25:12,001 You want to direct this show so much? Well, now's your chance. 474 00:25:12,074 --> 00:25:13,439 Because I'm done. 475 00:25:14,743 --> 00:25:17,678 Oh, ladies and gentlemen, sorry, thank you. 476 00:25:17,746 --> 00:25:20,613 It's been a pleasure working with you. 477 00:25:21,984 --> 00:25:23,542 Some more than others. 478 00:25:23,619 --> 00:25:25,553 Derek? Sorry, love. 479 00:25:27,723 --> 00:25:29,020 I quit. 480 00:25:37,266 --> 00:25:39,029 Derek. Hey! 481 00:25:39,535 --> 00:25:41,093 You're not really quitting, are you? 482 00:25:41,169 --> 00:25:42,761 Look, this isn't what I signed up for. 483 00:25:43,205 --> 00:25:44,797 I don't believe in this anymore. 484 00:25:45,107 --> 00:25:47,439 You can't leave. Apparently, I can. 485 00:25:48,110 --> 00:25:50,044 You should find a way out, as well. 486 00:25:50,112 --> 00:25:51,443 Hey, I'm not like you. 487 00:25:51,513 --> 00:25:54,004 This is my big break. It may never happen again. 488 00:25:54,082 --> 00:25:55,879 Of course it will. Just have some faith in yourself. 489 00:25:56,184 --> 00:25:57,947 Derek! Eileen. 490 00:25:58,787 --> 00:26:00,186 Come back to rehearsal. 491 00:26:00,255 --> 00:26:01,813 I would, but I quit. 492 00:26:02,424 --> 00:26:05,621 I understand, but you can't just walk out of there. 493 00:26:05,694 --> 00:26:06,718 You love this. 494 00:26:07,262 --> 00:26:08,320 "Loved" it. 495 00:26:09,331 --> 00:26:10,491 You're a great producer, Eileen. 496 00:26:10,566 --> 00:26:12,898 I would love to work with you on something, just not this. 497 00:26:14,002 --> 00:26:15,492 Good luck. 498 00:26:18,807 --> 00:26:20,638 I didn't expect that to happen today. 499 00:26:20,709 --> 00:26:22,734 Eileen, that thing I wanted to talk to you about. 500 00:26:23,045 --> 00:26:24,069 I'm sorry. I have no time. 501 00:26:24,146 --> 00:26:27,081 I ran into Ellis Boyd's ex-girlfriend last night. 502 00:26:27,149 --> 00:26:30,744 She said something I can't shake about Jerry and Ellis working together? 503 00:26:30,819 --> 00:26:32,286 Jerry and Ellis? 504 00:26:32,354 --> 00:26:33,844 Do you have any idea what that means? 505 00:26:36,024 --> 00:26:40,222 Listen, don't say anything about this to anyone, okay? 506 00:26:41,396 --> 00:26:42,886 I've got to go. 507 00:26:51,506 --> 00:26:52,632 Taxi! 508 00:26:57,145 --> 00:27:03,175 After Valmont successfully seduces Cecile, she composes a letter to her friend Sophie. 509 00:27:04,186 --> 00:27:08,623 Cecile, my darling daughter, practice for your harp recital. 510 00:27:09,157 --> 00:27:11,853 Your fianc� just might be in attendance. 511 00:27:12,227 --> 00:27:15,128 Yes, Mama. I do so hope to meet him. 512 00:27:21,837 --> 00:27:23,600 Dear Sophie. 513 00:27:24,206 --> 00:27:28,973 At the convent of St. Ursaline 514 00:27:29,044 --> 00:27:33,378 Under lock and key we always felt secure 515 00:27:35,183 --> 00:27:39,882 We were taught that heaven is divine 516 00:27:39,955 --> 00:27:44,289 And all who enter it are innocent and pure 517 00:27:45,394 --> 00:27:49,922 And inside those medieval walls 518 00:27:49,998 --> 00:27:54,594 We had no reason to believe it wasn't true 519 00:27:54,936 --> 00:28:00,465 But it's hard to stay strong when one leaves those holy halls 520 00:28:04,446 --> 00:28:07,813 And, Sophie, that is why I'm writing this to you 521 00:28:09,785 --> 00:28:13,152 For there's this man, you see This man, Vicomte Valmont 522 00:28:13,221 --> 00:28:16,486 A second cousin to the cousin of my mother 523 00:28:16,558 --> 00:28:19,721 Who would look at me as he played faro with my aunt 524 00:28:19,795 --> 00:28:22,628 And he wasn't looking at me like a brother 525 00:28:22,698 --> 00:28:26,361 He is with us in Deauville as my dear mama prepares 526 00:28:26,968 --> 00:28:30,165 For my marriage she's brokered and arranged 527 00:28:30,238 --> 00:28:36,643 But last night as I lay still I heard him coming up the stairs 528 00:28:37,512 --> 00:28:40,572 And now, Sophie, I am permanently changed 529 00:28:42,350 --> 00:28:45,444 As my corset he unlaced I pleaded, "Heaven calls the chaste!" 530 00:28:45,520 --> 00:28:48,284 I begged, "Don't spoil me, sir Before you I do kneel" 531 00:28:48,523 --> 00:28:51,856 But then spoil me he did So now I say Heaven Forbid 532 00:28:51,927 --> 00:28:53,622 I'm never stopping, I'm in heaven 533 00:28:53,695 --> 00:28:55,663 Signed, your loyal friend, Cecile 534 00:28:57,566 --> 00:29:00,399 Cecile, that racket! What are you doing in there? 535 00:29:00,469 --> 00:29:01,800 Are you practicing your lesson? 536 00:29:01,870 --> 00:29:05,203 Yes, Mama. I'm working on a very hard passage. 537 00:29:09,811 --> 00:29:10,971 At the convent... 538 00:29:26,328 --> 00:29:29,092 This is great work, Ivy. I see a nomination in your future. 539 00:29:29,164 --> 00:29:31,064 Let's not get ahead of ourselves. 540 00:29:31,133 --> 00:29:32,600 I'm looking forward to it. 541 00:29:33,702 --> 00:29:36,398 He's right. Your number was great. 542 00:29:36,471 --> 00:29:38,200 So funny. 543 00:29:38,507 --> 00:29:40,998 And because I'm off my meds, I could actually laugh. 544 00:29:41,143 --> 00:29:43,077 Thank you. I thought maybe you didn't like it. 545 00:29:43,145 --> 00:29:44,806 I loved it. 546 00:29:45,680 --> 00:29:47,875 Unfortunately, we're going to have to cut it. 547 00:29:48,683 --> 00:29:49,707 What? Why? 548 00:29:51,686 --> 00:29:56,020 I am the lead of this show. The audience is coming to see me. 549 00:29:56,158 --> 00:30:02,154 So if I'm not the funniest, or saddest, or most anything-est person in the show, 550 00:30:02,531 --> 00:30:03,896 they'll be disappointed. 551 00:30:03,965 --> 00:30:07,992 It's just one of the great burdens of being a celebrity. 552 00:30:09,404 --> 00:30:12,202 I have to be the best all the time. 553 00:30:12,474 --> 00:30:14,066 So you're saying I can't be funny, too? 554 00:30:14,576 --> 00:30:17,238 You can be funny. Just not as funny. 555 00:30:19,481 --> 00:30:21,005 I'm so glad we had this talk. 556 00:30:23,218 --> 00:30:25,345 Timothy! Timothy! 557 00:30:32,394 --> 00:30:33,588 I wasn't sure you were going to show. 558 00:30:33,662 --> 00:30:35,630 Yeah, I'm just going to get my stuff. 559 00:30:36,464 --> 00:30:40,491 You just happened to show up 20 minutes before curtain to get your stuff? 560 00:30:40,969 --> 00:30:43,563 You put a lot into this. You should see it through. Oh, like Karen did? 561 00:30:49,611 --> 00:30:51,476 What the hell are you doing here? 562 00:30:51,546 --> 00:30:53,605 They fire you or something? 563 00:30:54,082 --> 00:30:58,246 No, actually, I could get in big trouble if the producer finds out. 564 00:30:59,187 --> 00:31:01,655 Look, I know you're pissed at me. 565 00:31:02,190 --> 00:31:05,455 But I'm here. Doesn't that count for something? 566 00:31:05,527 --> 00:31:08,496 Yeah, you're here for one night. Then you'll be gone again. 567 00:31:08,563 --> 00:31:09,791 It's not enough. 568 00:31:09,865 --> 00:31:12,333 Get out of my way. No, I'm trying to talk to you. 569 00:31:14,703 --> 00:31:16,227 Today sucked. 570 00:31:17,706 --> 00:31:21,369 Rehearsal was crazy. It made me question why I'm even doing this at all. 571 00:31:21,443 --> 00:31:24,469 But as soon as I got out of there, the only place I wanted to be, 572 00:31:24,546 --> 00:31:28,846 the only person that I wanted to be with, was you. 573 00:31:28,917 --> 00:31:30,782 On stage. Singing. 574 00:31:32,153 --> 00:31:34,815 Because when I do, I remember why I've ever wanted this. 575 00:31:35,457 --> 00:31:37,516 Yeah, just not enough to actually stick with it? 576 00:31:39,628 --> 00:31:41,528 You can be mad at me, fine. 577 00:31:42,097 --> 00:31:44,759 Don't take it out on everyone else. 578 00:31:46,768 --> 00:31:49,100 They worked hard for this. It's their last performance. 579 00:31:49,437 --> 00:31:51,837 Do it for them. Do it for yourself. 580 00:31:53,208 --> 00:31:55,142 Jimmy, Karen, we're opening the house. 581 00:32:13,229 --> 00:32:15,254 Allergy attack? No. 582 00:32:16,599 --> 00:32:18,066 Migraine? No. 583 00:32:19,001 --> 00:32:21,629 Stomach ache? No. I'm crying. 584 00:32:21,704 --> 00:32:23,433 Sometimes I cry for no reason, too. 585 00:32:23,506 --> 00:32:25,701 Like if I eat a really good peach cobbler... 586 00:32:25,775 --> 00:32:30,007 There's a reason! The show is terrible! 587 00:32:30,079 --> 00:32:31,876 Ooh! Gossip. Which show? 588 00:32:32,949 --> 00:32:34,280 Our show. 589 00:32:34,617 --> 00:32:36,608 It's really, really bad. 590 00:32:37,420 --> 00:32:39,411 I've been thinking the same thing for days. 591 00:32:39,488 --> 00:32:42,980 Everybody in it, except for you and me, is awful. 592 00:32:44,327 --> 00:32:48,024 No, you're really, really bad, too. 593 00:32:48,464 --> 00:32:49,795 Me? Yeah. 594 00:32:51,000 --> 00:32:54,163 Your choices are all wrong. 595 00:32:54,236 --> 00:32:55,601 The set is ridiculous. 596 00:32:55,671 --> 00:32:59,937 And the one thing, the one thing that I was holding onto, 597 00:33:00,009 --> 00:33:02,341 my song, you cut. 598 00:33:02,478 --> 00:33:04,742 And why? So that you can dance around in your underwear 599 00:33:04,814 --> 00:33:06,247 on stage a little while longer? 600 00:33:06,649 --> 00:33:08,173 Nobody wants to see that. 601 00:33:08,250 --> 00:33:09,842 Some people do. Nobody. 602 00:33:10,953 --> 00:33:11,942 Wow. 603 00:33:12,288 --> 00:33:13,312 Yeah. 604 00:33:16,058 --> 00:33:17,184 I'm fired, right? 605 00:33:17,259 --> 00:33:19,124 No. No. 606 00:33:20,796 --> 00:33:24,698 That's the most honesty I've heard in 20 years. 607 00:33:25,134 --> 00:33:26,658 You reach a certain level of fame, 608 00:33:26,736 --> 00:33:28,499 and everybody just says "yes" all the time. 609 00:33:28,571 --> 00:33:31,938 Nobody tells you the truth. Nobody. 610 00:33:34,810 --> 00:33:35,799 You can have your song back. 611 00:33:35,878 --> 00:33:37,140 Really? Yeah. 612 00:33:39,015 --> 00:33:41,506 Just always keep telling me the truth, okay? 613 00:33:41,617 --> 00:33:43,812 Can you do something for me? 614 00:33:48,591 --> 00:33:52,083 Dumplings. Kung pao chicken. Cold noodles. 615 00:33:52,728 --> 00:33:53,752 Nah. 616 00:33:53,829 --> 00:33:56,923 That's what we always eat when we're really depressed. 617 00:33:56,999 --> 00:34:00,526 Then we feel fat and we get more depressed. That's what we do. 618 00:34:00,603 --> 00:34:03,936 I'm not depressed. I'm excited. 619 00:34:05,174 --> 00:34:07,836 I'm sorry? Were we not in the same rehearsal? 620 00:34:07,910 --> 00:34:11,676 It's the best thing that could have happened. The bomb went off. 621 00:34:11,747 --> 00:34:13,977 Derek's what was toxic about the production. 622 00:34:14,050 --> 00:34:17,781 Think about all the problems we had. They all go back to him. 623 00:34:17,853 --> 00:34:19,013 What about Rebecca Duvall? 624 00:34:19,688 --> 00:34:21,349 Almost all him. 625 00:34:21,457 --> 00:34:24,221 And without Derek, we could make it the show we both want it to be. 626 00:34:25,127 --> 00:34:27,186 We'll find a director who doesn't play divide and conquer. 627 00:34:27,263 --> 00:34:29,254 I mean, are we a team or aren't we? 628 00:34:30,166 --> 00:34:31,690 What about Jerry? 629 00:34:32,334 --> 00:34:35,735 We'll get Eileen on our side. She'll make him come around. 630 00:34:37,540 --> 00:34:39,508 Oh, it's like she has us wired. 631 00:34:40,476 --> 00:34:41,534 Eileen? 632 00:34:44,013 --> 00:34:45,037 What? 633 00:34:47,016 --> 00:34:48,074 Can you come to Chinatown? 634 00:35:01,730 --> 00:35:05,393 I'm not scared to tell the truth 635 00:35:07,369 --> 00:35:11,863 I've been to hell and back And I went with you 636 00:35:14,009 --> 00:35:18,070 Remind me what we were before? 637 00:35:19,081 --> 00:35:24,542 When we said "You are mine, and I am yours" 638 00:35:26,922 --> 00:35:31,484 I don't know much, but I know myself 639 00:35:32,995 --> 00:35:37,659 And I don't want to love anybody else 640 00:35:38,968 --> 00:35:43,905 So let's break the spell and lift the curse 641 00:35:44,240 --> 00:35:48,267 Remember why we fell for each other 642 00:35:48,410 --> 00:35:51,140 Headfirst 643 00:35:51,680 --> 00:35:55,480 Look at this heart-shaped wreckage 644 00:35:55,551 --> 00:35:57,781 What have we done? 645 00:35:57,853 --> 00:36:01,584 We have got scars from battles 646 00:36:01,657 --> 00:36:03,955 And nobody won 647 00:36:04,160 --> 00:36:07,891 We can start over, better 648 00:36:08,063 --> 00:36:10,031 Both of us know 649 00:36:10,099 --> 00:36:13,967 If we just let the broken pieces 650 00:36:14,336 --> 00:36:19,103 Let the broken pieces go 651 00:36:20,776 --> 00:36:25,213 Let the broken pieces go 652 00:36:26,248 --> 00:36:30,912 Just hold on to each other tonight 653 00:36:35,591 --> 00:36:39,527 Look at this heart-shaped wreckage 654 00:36:39,795 --> 00:36:41,990 What have we done? 655 00:36:42,064 --> 00:36:45,864 We have got scars from battles 656 00:36:45,968 --> 00:36:48,300 Nobody won 657 00:36:48,370 --> 00:36:51,806 We can start over, better 658 00:36:52,341 --> 00:36:54,241 Both of us know 659 00:36:54,310 --> 00:36:58,542 If we just let the broken pieces 660 00:36:58,948 --> 00:37:01,542 Let the broken pieces 661 00:37:01,884 --> 00:37:04,944 Let the broken pieces 662 00:37:05,487 --> 00:37:08,217 Let the broken pieces 663 00:37:28,578 --> 00:37:30,341 Tomorrow we go into tech. 664 00:37:30,413 --> 00:37:34,816 Now is the absolute last moment to tweak anything major. 665 00:37:35,018 --> 00:37:40,752 So I thought it would be nice if we took the time to say whatever it is we feel. 666 00:37:41,191 --> 00:37:42,215 Anything. 667 00:37:43,660 --> 00:37:44,684 Constructive, 668 00:37:45,528 --> 00:37:46,620 destructive... 669 00:37:46,696 --> 00:37:48,391 Anything at all. 670 00:37:51,001 --> 00:37:52,298 Fine. 671 00:37:52,569 --> 00:37:55,367 Fine. You don't have to talk about each other. 672 00:37:56,606 --> 00:37:58,073 How about me? 673 00:37:58,174 --> 00:38:00,233 What do you think of my performance? 674 00:38:06,883 --> 00:38:07,907 Anyone? 675 00:38:09,319 --> 00:38:12,482 You guys, he's asking us to be honest. 676 00:38:12,822 --> 00:38:14,847 He means it. He wants to hear the truth. 677 00:38:15,525 --> 00:38:17,425 This is our chance to make it good. 678 00:38:17,794 --> 00:38:19,989 Just tell him how bad it is and we can make it better. 679 00:38:20,297 --> 00:38:22,822 Please, tell me. 680 00:38:28,638 --> 00:38:29,696 It's dreadful. 681 00:38:29,773 --> 00:38:30,933 Appalling. 682 00:38:31,007 --> 00:38:33,532 I've never been so embarrassed by my work before. 683 00:38:33,610 --> 00:38:35,100 And I was in Urban Cowboy. 684 00:38:35,211 --> 00:38:36,269 It's that bad. 685 00:38:36,346 --> 00:38:38,075 - It's really bad. - It's just awful. 686 00:38:38,148 --> 00:38:40,582 Yeah, it's terrible. Unbelievable. 687 00:38:40,650 --> 00:38:43,312 Is any of it any good? 688 00:38:44,220 --> 00:38:48,156 The text was. The music is. The cast is. 689 00:38:48,425 --> 00:38:50,325 You can be, too, if you want to be. 690 00:38:51,695 --> 00:38:53,959 Do we still have time to make some changes? 691 00:38:54,297 --> 00:38:55,696 Absolutely. 692 00:38:55,865 --> 00:38:56,854 Okay. 693 00:39:01,604 --> 00:39:03,731 Hey. You came. 694 00:39:04,140 --> 00:39:05,471 I did. 695 00:39:05,675 --> 00:39:07,267 It has real promise. 696 00:39:07,577 --> 00:39:08,703 So, you really quit, huh? 697 00:39:08,778 --> 00:39:10,040 It appears I did. 698 00:39:10,113 --> 00:39:12,206 You ruled! She did. 699 00:39:13,049 --> 00:39:14,107 Thank you. 700 00:39:14,451 --> 00:39:16,817 Nice work. You, too. 701 00:39:16,886 --> 00:39:19,946 I agree. You were wonderful. 702 00:39:20,490 --> 00:39:22,549 Where can I find the writers? They're right here. 703 00:39:22,625 --> 00:39:25,253 I'm Kyle, I did the book. Jimmy wrote the music and lyrics. 704 00:39:25,328 --> 00:39:28,729 Scott Nichols. I'm the artistic director at Manhattan Theater Workshop. 705 00:39:28,798 --> 00:39:30,698 Wow. And you came to see our show? 706 00:39:30,800 --> 00:39:32,461 I'll admit I only came because the show 707 00:39:32,535 --> 00:39:33,968 I had tickets for got canceled, 708 00:39:34,037 --> 00:39:37,438 but I'm glad I did. It's really intriguing. 709 00:39:37,507 --> 00:39:39,202 It's just the kind of project that I look for. 710 00:39:39,576 --> 00:39:40,770 Who's the director? 711 00:39:40,844 --> 00:39:42,141 We don't have one. 712 00:39:42,746 --> 00:39:43,906 Yeah, you do. 713 00:39:44,781 --> 00:39:46,271 Derek? 714 00:39:46,349 --> 00:39:47,338 Hi, Scott. How you doing? 715 00:39:47,417 --> 00:39:49,749 What are you doing here? Aren't you directing Bombshell? 716 00:39:49,819 --> 00:39:51,081 Not anymore, no. 717 00:39:51,755 --> 00:39:53,620 And you'd both be on board to star? 718 00:39:54,557 --> 00:39:56,149 I'm not an actor. Yes, he is. 719 00:39:57,060 --> 00:39:58,493 And what about you? 720 00:39:58,561 --> 00:40:00,825 I can't. I'm in Bombshell. 721 00:40:00,897 --> 00:40:02,558 Oh, that's too bad. 722 00:40:03,600 --> 00:40:05,659 Would you all like to go and have a drink and talk about the show? 723 00:40:05,735 --> 00:40:07,362 God, yes. 724 00:40:09,906 --> 00:40:11,339 Where we going? 725 00:40:14,677 --> 00:40:16,110 Hey. You're coming, right? 726 00:40:16,713 --> 00:40:20,012 Hey, don't you have to be at rehearsal early tomorrow morning? 727 00:40:20,183 --> 00:40:22,845 Yeah. Well, have fun. 728 00:40:23,686 --> 00:40:25,654 Yeah, see you around. 729 00:40:41,571 --> 00:40:42,560 What's that? 730 00:40:43,106 --> 00:40:46,166 That's proof that Jerry is a lying son of a bitch. 731 00:40:46,543 --> 00:40:50,445 It's a background check on Nick Felder. Ellis did it last year. 732 00:40:51,314 --> 00:40:52,838 I found it in Jerry's office. 733 00:40:53,249 --> 00:40:54,910 Wait, what does that mean? 734 00:40:54,984 --> 00:40:58,681 It means that Jerry was paying Ellis for information 735 00:40:58,755 --> 00:41:02,350 so he could shut down the show and take it over himself. 736 00:41:02,425 --> 00:41:03,790 Mission accomplished. 737 00:41:04,360 --> 00:41:05,657 Oh, my God. 738 00:41:07,163 --> 00:41:08,528 Have you talked to him? 739 00:41:08,965 --> 00:41:11,934 No, and I'm not going to until I get the show back. 740 00:41:12,001 --> 00:41:13,866 Then I'll kill him if he's lucky. 741 00:41:15,605 --> 00:41:17,129 What do we do until then? 742 00:41:17,807 --> 00:41:20,241 Even if we got a new director tomorrow, 743 00:41:20,310 --> 00:41:22,505 he or she would need weeks of prep. 744 00:41:23,480 --> 00:41:25,243 What if he were already prepped? 745 00:41:25,315 --> 00:41:26,304 What do you mean? 746 00:41:26,382 --> 00:41:27,872 We have a director. 747 00:41:32,222 --> 00:41:33,246 Oh, my God. 748 00:41:34,457 --> 00:41:39,485 We have a director. Tom, we have a director! 749 00:41:41,297 --> 00:41:43,060 Who? You! 750 00:41:43,733 --> 00:41:45,496 You know this show better than anyone. 751 00:41:45,568 --> 00:41:48,867 You know the cast, the costumes, the choreography, 752 00:41:48,938 --> 00:41:52,237 sometimes he does it around the apartment when he thinks no one's looking. 753 00:41:52,308 --> 00:41:55,038 Look what you did today in rehearsal. 754 00:41:55,345 --> 00:41:58,075 You've got the vision, Tom. You see the show. 755 00:41:58,581 --> 00:42:00,310 Like Derek used to. 756 00:42:00,550 --> 00:42:04,042 Even better. 'Cause you see it the way we want it to be. 757 00:42:04,654 --> 00:42:08,385 I will be with you every step of the way. 758 00:42:08,725 --> 00:42:10,283 What do you say? 759 00:42:11,227 --> 00:42:12,888 You want to save Bombshell, or what? 760 00:42:21,905 --> 00:42:23,270 I thought you'd never ask. 761 00:42:25,905 --> 00:42:27,270 762 00:42:27,320 --> 00:42:31,870 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0